Vasemaca (FKA Ema) Tavola is a Fijian-Pākehā artist and writer currently living in South Auckland. Having established her painting practice in Suva, Fiji at Oceania Centre for Arts, Culture and Pacific Studies at the University of the South Pacific, Tavola went on to study sculpture at Manukau School of Visual Arts.
Working with textiles since 2001, Tavola has aligned her art practice and politics with women’s rights, feminisms, and histories of BIPOC art and activism in the Global South. In her textile assemblages, she utilises patchwork and appliqué techniques to honour a family practice of quilt making, bonding generations together, across oceans. Textiles are easily packed, transported, functional and durable; growing up in Fiji, England and Belgium, and later Aotearoa New Zealand, textiles also speak to Tavola’s lived experience of impermanence and distance, always living with a sense of home being somewhere else. Throughout her life, hand-made blankets and collected and treasured textiles, trims and embellishments have been tactile archives, holding memories, connection, and an intimate sense of safety, and home.
Throughout Tavola’s practice – in curatorial work and her art making – she has been unapologetic about confronting the ideas and economics of taste. Whether purposefully elevating low-value materials, or low-brow aesthetics and design, to symbolically situating art in places that draw into question the cultural norms and socio-political baggage of Western art and arts appreciation, Tavola prompts quiet reflection on how taste is cultivated, and who has the power to do it.
Born in Suva, Fiji with paternal bonds to Dravuni, Kadavu, and maternal connections to Aotearoa New Zealand, Tavola started putting down roots in South Auckland aged 19.
After 41 years of being known as Ema, in late 2023, Tavola reverted to her Fijian name, Vasemaca.
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SOLO EXHIBITIONS
2024 – To Live + Die in South Auckland, Fresh Gallery Ōtara, South Auckland
2023 – Backbone, Vunilagi Vou, South Auckland
2017 – Dark Meat, Tautai, Auckland
2009 – Blood+Bone, St Kevins Arcade, Auckland
AWARDS
2017 – Macmillan Brown Centre for Pacific Studies Artist Residency, University of Canterbury, Christchurch
2015 – Summer Residency, Enjoy Contemporary Art Space, Wellington
2014 – School of Art and Design Postgraduate Research Award, AUT University
2013 – Bachelor of Visual Arts Alumni Award, University of Auckland
2012 – Contemporary Pacific Artist, Creative New Zealand Arts Pasifika Awards
GROUP EXHIBITIONS
2023 – Volume: Bodies of Knowlege by Community Reading Room curated by Dr Torika Bolatagici, Counihan Gallery, Naarm / Melbourne, Australia
2022 – Moonwalkerz curated by Nigel Borell, Taste of Pasifika Festival, Auckland
2022 – Volume: Bodies of Knowlege by Community Reading Room curated by Dr Torika Bolatagici, Metro Arts, Meanjin / Brisbane, Australia
2021 – Hidden in Plain Sight. From Being Rendered Invisible to Becoming Visible curated by Julia Albrecht and Stephanie Endter, Weltkulturen Museum, Frankfurt, Germany
2021 – Pussy Fat, Vunilagi Vou, South Auckland
During this gap in making and showing work, I wrote a manifesto (2017, above), made an exhibition for the 4th International Biennial of Casablanca in Morocco (2018), staged an exhibition at Oceania Centre for Arts, Culture and Pacific Studies in Fiji (2018), presented a keynote for the AAANZ conference in Australia (2018), spoke at the Para Site International Conference (2019) in Hong Kong, and opened Vunilagi Vou, an independent gallery in South Auckland.
2017 – The Perpetual Flux of Transitional Otherness, Olly, Auckland
2016 – Postcards from Papatoetoe : A Pop-up and pocket exhibition curated by Francis McWhannell, Old Papatoetoe, South Auckland
2011 – diasporadic679, Ōtāhuhu, South Auckland
2010 – FRESH10, Fresh Gallery Ōtara, South Auckland
2010 – 30 Ukulele, Village Arts, Hokianga
2009 – Flower Power, Centro Ricerca Arte Attuale (CRAA), Italy
2009 – Pan Pacific Nation curated by Jaimey Hamilton, The Arts at Marks Garage, Hawaii
2008 – VASU: Pacific Women of Power, Oceania Centre for Arts, Culture & Pacific Studies, University of the South Pacific, Suva, Fiji
2008 – Represent, Fresh Gallery Ōtara, South Auckland
2008 – Flat White Black Pearl curated by Jim Vivieaere, Te Karanga Gallery, Auckland
2007 – Longitude curated by Giles Peterson, The Art Studio, Rarotonga, Cook Islands
2007 – BUY SPEND SAVE NOW, Fresh Gallery Ōtara, South Auckland
2006 – What’s Going On, Fresh Gallery Ōtara, South Auckland
2006 – This is not a love song curated by Eimi Tamua, Artstation, Auckland
2005 – Destinations… curated by Lonnie Hutchinson, Pitt Street Methodist Church, Auckland
2004 – Five by Three, ArtNet Gallery, South Auckland
2004 – Niu Dialogue curated by Jim Vivieaere, Aotea Centre, Auckland
2001 – ANZ National Art Awards, The Playhouse, Suva, Fiji
2001 – Expressions on HIV/AIDS, Sexuality & Empowerment, AIDS Taskforce, Suva, Fiji
2001 – Red Wave Collective, Oceania Centre for Arts, Culture & Pacific Studies, University of the South Pacific, Suva, Fiji
EDUCATION
Currently – Master of Applied Indigenous Knowledge, Te Wānanga o Aotearoa
2013 – Master of Arts Management, AUT University
2006 – Bachelor of Visual Arts, University of Auckland